Camera Crews for Hire
Hiring a camera crew starts with matching the right people and gear to the shoot. Beverly Boy Productions staffs experienced DPs, camera operators, cinematographers, and full grip and lighting teams for corporate video, commercials, documentary production, live events, branded content, and broadcast work across every major U.S. market and internationally.
With 24 years in production and more than 25,000 projects delivered, we maintain a vetted network of IATSE union-affiliated and non-union camera professionals equipped with RED, ARRI, Sony, and Blackmagic cinema systems, DJI drone platforms, and full grip and lighting packages.
The crew build depends on what you are producing, where you are shooting, and what the final deliverable needs to look like. A boardroom interview in Dallas runs differently than a multi-camera product launch in New York or a documentary series across three cities in a week. We plan the crew around the job, not the other way around.
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Know Your Crew
Most clients know they need someone behind the camera, but the question of which role fits the project comes up constantly. The difference between a Director of Photography and a camera operator affects budget, crew size, lighting decisions, and how the shoot day is managed.
Director Of Photography
A Director of Photography leads the visual side of the production. That includes lens selection, lighting direction, camera placement, monitor review, and coordination with the producer or director on the creative plan.
- Plans lighting setups and camera positions before the crew starts building
- Keeps the image style consistent across locations and setups
- Works with the director or producer on framing, movement, and pacing
- Monitors every shot throughout the day
- Best for commercials, branded content, music videos, and multi-location productions
A DP is the right call when the footage needs a specific look, when lighting conditions are complex, or when the production involves multiple cameras and setups that need to feel like one piece.
Camera Operator
A camera operator handles shot execution. That means locked interview frames, handheld b-roll, event coverage, gimbal work, or Steadicam movement through an active environment.
- Captures assigned shots with clean, steady framing
- Works with tripods, handheld rigs, gimbals, or Steadicam
- Can manage basic lighting and audio on smaller crews
- Often works alongside a DP, AC, and sound team on larger productions
- Best for interviews, live events, b-roll packages, and documentary coverage
If the production is straightforward and the lighting is controlled, a strong camera operator can carry the day. If the shoot involves creative direction or complex lighting, a DP should be leading.
Not sure which role belongs on the call sheet? We can recommend based on camera count, lighting complexity, movement, and deliverable requirements.
Cinematography and Director of Photography Services
For shoots where the image needs to feel intentional, not just covered.
Some productions need more than coverage. They need a visual plan.
Our camera crews include Directors of Photography and cinematographers who lead the image on commercials, branded content, corporate campaigns, and documentary-style projects. They manage composition, lighting direction, lens choices, and image consistency across every setup.
That work starts before the crew arrives. A good DP reads the location, plans the lighting rig, identifies problem areas like reflective surfaces, mixed color temperatures, or tight spaces with low ceilings, and builds a setup that solves those problems before cameras roll. On shoot day, the DP manages the image across every setup and keeps the footage consistent even when the production moves between locations, lighting conditions, or interior and exterior environments.
We staff DPs and cinematographers who have worked on productions ranging from lean two-person interview setups to national ad campaigns with full grip trucks. The right DP protects the schedule by making confident decisions quickly, which keeps the day moving and the client confident.
Grip and Lighting Crews for Commercial and Corporate Production
Lighting is where most productions either look controlled or start to feel unfinished. A grip and lighting team handles everything from simple LED interview setups to full commercial lighting builds.
On a typical corporate interview, that means a gaffer shaping a clean key and fill, managing window light or mixed ambient sources, and keeping the background polished without crowding the room. On a commercial or branded content shoot, it may require a full grip team with c-stands, flags, silks, diffusion frames, and a lighting package built around the creative treatment.
The grip crew handles the physical support structure: stands, arms, clamps, apple boxes, sandbags, and rigging that holds everything in place. The gaffer and electricians handle the actual light. Together, they control contrast, color, shadows, and the overall feel of every frame.
What separates a good grip and lighting team from an average one is speed and problem-solving. They adapt when the room is smaller than expected, when the power situation changes, when weather shifts an exterior setup, or when the schedule compresses. That flexibility keeps the production moving without sacrificing the image.
Camera & Gear Packages
We match the camera system to the deliverable. A corporate interview destined for LinkedIn does not need the same rig as a Super Bowl spot or a feature-length documentary.
Broadcast & Corporate Kits
Sony FX9, FS7, FX6. Clean, reliable systems built for fast turnarounds, interview work, event coverage, and broadcast delivery. Strong autofocus, run-and-gun capability, and multi-camera consistency.
Documentary & Handheld
Sony FX3, Canon C70, Blackmagic Pocket Cinema. Compact systems built for mobility. Strong for documentary, unscripted, behind-the-scenes, and fast-moving environments with a small crew footprint.
Cinema Packages
RED Komodo, RED V-Raptor, ARRI Alexa Mini, ARRI AMIRA. For commercials, branded content, and music videos. More dynamic range, higher resolution, and greater post-production flexibility. Typically includes matte boxes, follow focus, and full monitoring.
Drone & Aerial
DJI Inspire 3, DJI Mavic 3 Pro. Licensed Part 107 operators for aerials, establishing shots, real estate flyovers, and outdoor event coverage. FAA waivers handled when needed.
Every package includes lenses, support, monitoring, and audio matched to the project. We also accommodate client-owned gear when the production requires a specific camera system or recording format.
How Camera Crew Sizing Works
Crew size depends on what you are producing. A talking-head interview and a national commercial are both “camera crew” jobs, but they run on completely different crew plans.
1 -2
Person Crew
Camera op handling camera, basic lighting, and audio. Interviews, testimonials, social content, small events.
3-5
Person Crew
DP or lead op, gaffer/lighting tech, sound mixer. Corporate video, branded interviews, product demos, mid-scale events.
6-10
Person Crew
DP, multi-cam ops, gaffer, key grip, sound, AC/DIT. National commercials, multi-setup branded content, higher creative demands.
10-15+
Person Crew
Full production teams for large commercial campaigns, TV, multi-day documentary, or live broadcast.
Production Types We Staff Camera Crews For
Corporate Video & Executive Interviews
Boardroom interviews, company overviews, internal comms, investor content, training videos, leadership profiles. Crews that handle office environments, building logistics, and executive schedules.
Commercials & Branded Content
National and regional campaigns, product spots, social-first branded content. Full cinema crews with DP-led lighting and post-ready camera systems.
Documentary & Unscripted
Long-form documentary, docu-series, reality-adjacent production. Crews built for mobility, fast setups, and environments where the story unfolds in real time.
Live Events & Multi-Camera
Conferences, galas, panels, award shows, product launches. Multi-camera switched or ISO coverage with audio feeds, monitors, and live streaming.
TV & Broadcast
News segments, magazine shows, satellite interviews, episodic content. Broadcast-standard crews with live and near-live experience.
Insurance & Crew Management
Beverly Boy carries full coverage for production crews deployed in the city. We handle payroll, invoicing, and production documentation so your team has a single point of contact from prep through wrap.
When venues, agencies, corporate clients, city facilities, hotels, or property managers require certificates of insurance or production paperwork before call time, we keep those details moving on schedule.
Camera Crews Across the U.S. and Internationally
We staff camera crews in every major U.S. market. Local crews mean local knowledge, which saves time on permits, locations, parking, loading, and the kind of practical details that protect the schedule.
International crews are available for productions in Canada, the UK, Europe, Latin America, and Asia. We coordinate travel, gear, customs, and local crew integration for multi-country campaigns.
Don’t see your city? Call us. We staff crews nationwide.
Browse a selection of projects filmed by our videography team.
Our Video Production Work
Client Reviews
What Our Clients Say
Beverly Boy Productions is the best! We hired them for a shoot and they were professional, quick to communicate, so nice, and easy to work with. I highly recommend!
Anastasia Keating
Fantastic professionals that exceeded our expectations. Looking forward to working with them again.
Harman Professional Solutions
I’m a freelance camera operator in Orlando and have worked with Beverly Boy Productions on three projects over the past few years. Each shoot was organized, professional, and ran on time. Call sheets were clear, communication was solid, and the team respected the freelance crew.
Max Lenz
Despite some tight time constraints, Beverly Boy Productions kept everything running smoothly and on schedule. Felice and her team’s time management skills were truly impressive, and they were always able to adapt quickly to any changes that arose.
Terry Cristain
Lana at Beverly Boy has been extremely helpful in finding me videographers in multiple locations across the country, sometimes at extremely short notice. The process has always been smooth, simple, and a huge relief.
Evan Stultz
Hired them for an exterior commercial shoot — not always the easiest conditions. The crew was well crafted, and the lighting techniques they used were truly top-notch. Gordon and his crew were able to create a range of different lighting setups to suit each scene.
Peter Netham
FAQs — Hiring a Camera Crew
How far in advance should I book a camera crew?
What is included in a camera crew booking?
Do I need to provide my own equipment?
What does a camera crew cost?
Can you crew a shoot in a city not listed on your site?
Yes. We staff crews Nationwide and internationally. If the city is not on the site, call us and we will confirm local crew availability.
What if I need to reschedule?
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